even a casual reader of this blog will be aware of the fact that i am a superhuge caribou fan. they won the inaugural "band i blogged about most" title, clocking in with six individual posts, and though this is their first '08 entry, i've lost none of my rabid fervor for dan snaith's psychedelic electronica, which is why i returned to see them yet again. they have been on tour pretty incessantly since andorra's release last fall, and i've seen them three times since then, so i didn't think they'd have much new work to bring to the table, just their plain old awesomeness. but i was wrong - dead wrong. in their downtime (what downtime?), snaith and one of caribou's touring members have reworked all of their projections, and refashioned many of their songs - necessary changes when you hit the same cities twice in six months, but still pleasantly surprising. but the best change caribou could've made for this tour is the inclusion of the peerless fuck buttons, for whom, i wager, more than a couple people were there to see.
music aside, fuck buttons have been able to wring an extrraordinary amount of press from their name alone, a verbal vortex that no reviewer can resist (myself included). it's good that their name invites such controversy, because they don't offer much in the way of lyrical bones to pick - whatever it is that comes out of benjamin john power's mouth is definitely not distinguishably verbal. their name is as much a part of their enigmatic musical persona as much as their cosmic distorto-jams, and everyone has weighed in on fuck buttons's nomenclature (it sounds almost regal, doesn't it?) without coming to much in the way of concrete conclusions. well, there was no way the twinkly knob-twisters were going to explain themselves, especially without a microphone of their own. yet fuck buttons spoke in volume, creating staggering, deafening swaths of melody and static from itsy-bitsy instruments, 
subjugating the crowd (and making them dig for their earplugs) right after the first climax of "sweet love for planet earth." as far as i could tell (considering i don't have street horrrsing memorized), they played that album in its entirety, if slightly compacted. no breaks, no stops, all fucking awesome. as their set progressed, power and bandmate andrew hung became more and more involved in their admittedly limited show, their movements taking on a semblance of ritual, fierce and deliberate head-banging and body-waving, the music coursing through their bodies as it did ours. honestly, if you haven't bought a copy of street horrrsing yet, it's really time to do so, and go out and see the band: 40 glorious minutes of cataclysmic triumph in decibels; since mogwai isn't making anyone's ears bleed lately, maybe fuck buttons are taking up the reins. more power (and volume) to them.
caribou: awesome. the surprises (new projections and a couple drastic song reworkings) didn't really affect the show as a whole - they were exciting little morsels, making the show richer as a whole, but not really any different than previous caribou shows. however, that doesn't make it boring - it's not like i've been dragged to see them, caribou fucking rocks live, and they delivered an excellent show once again. the unison drumming is always exciting, and "skunks" especially benefited from it. "bees," as always, blew the place apart, and encore "every time she turns round it's her birthday" was, appropriately, the best part of the night. what set this show apart from previous caribou experiences was twofold, i think. they were blessed with a great soundman who really understood the band's nuances, but i think the most potent element of 
caribou's set was the influence of fuck buttons. interestingly enough, i felt like caribou was pushing themselves extra hard as a response to fuck buttons's egregious volume, and that energy was overwhelming. it could've also been that dan snaith celebrated his 30th birthday that night (technically, during "every time," as the clock ticked over to 3/29), but caribou were at the most jubilant, their most wildly exuberant, and the show was fantastic.
i went to four concerts last week - why?, crystal castles, del, and caribou - and the one i was least excited about was also, hands down, the best one. i expected the usual from snaith & co., and something cool from fuck buttons, but we were treated to a great night (all the better, from my perspective, with the loss of dan friel. parts & labor = gag). don't ever pass up the chance to see caribou.
pick up the new she's the one single from merge.
buy street horrrsing from atp.
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